Leslie Bibb Feels Blessed to Star in ABC's 'GCB'

Leslie Bibb Feels Blessed to Star in ABC's 'GCB' By Jessica Gardner March 8, 2012 Photo by ABC Leslie Bibb on "GCB" Leslie Bibb, star of ABC's suburban satire "GCB," has Oprah Winfrey to thank for her first big break. In 1990, "The Oprah Winfrey Show" had a nationwide modeling contest. Bibb's mother sent in pictures of her 16-year-old daughter. She was chosen as the winner by Naomi Campbell, Linda Evangelista, Iman, and John Casablancas. Before the contest, while Bibb was growing up in Virginia, it never occurred to her to pursue a career in the arts. "It just didn't seem very realistic to me," she says. "I thought I would go to UVA, then law school, and then go into politics." When she went to New York that summer, after her junior year of high school, to pursue modeling work as a new client of the Elite Agency, the people and the industry there amazed her. She went back to Virginia for her senior year, spending about a week a month in NY. Then she started college at the University of Virginia but felt out of place. "Remember that saying on 'Sesame Street,' 'Which one of these things is not like the other?' she says. "Like you have circles, and then there would be a square? I felt like a square with all the circles. I didn't fit in. When I went to NY, I took a summer Meisner intensive at [William] Esper Studios. When I walked in, it was like, 'Oh. I found my tribe. For the first time in my life, I found who I'm supposed to be with.' I think actors are a tribe. Either you understand it or you don't. For me, it made sense. It just fit. I love acting, actors, talking about acting, watching movies, seeing plays. I just love it. It's one of my greatest joys."Bibb, who is probably best known for playing Carley Bobby in "Talladega Nights: The Ballad of Ricky Bobby" or the lead in the WB TV series "Popular," attributes part of her success to her training and work ethic. "If I get an audition, I do the same process that I do if I've booked the job," she says. "Sometimes financially it's difficult because I'm putting as much work into it even if I'm not getting the job. But I think it's important because when you finish school, your auditions become your scenes you've been allotted from your acting teacher."Bibb says sometimes she'll "steal" scene ideas from film and TV actors she admires. "Nobody's reinventing the wheel with stories; they're just told a little differently," she says. "I watch movies to inspire myself while I'm creating a character. And not just current movies. You need to have an arsenal." Then, because she studied Meisner, she breaks down her character's subtext, actions, and intentions. "I go back to the basics," she says.Scared in a Good Christian Way It terrifies Bibb how invested she is in "GCB" becoming a hit. She says she has loved it ever since her manager, John Carrabino, told her the original title"Good Christian Bitches." She plays Amanda Vaughn, a single mother who moves back to the affluent Dallas neighborhood where she grew up for a fresh start. "I need to stop wanting people to love [the show], because it leaves me very prone to being disappointed if people don't get it," she says. "I don't think I've ever felt this way about a TV show. I think with 'Popular,' I took everything for granted. Now I have a real appreciation for work and writing that is this good and this fun." Bibb says that working with creator Robert Harling ("Steel Magnolias") has been the most fulfilling part of her "GCB" experience so far. "I just think the sun shines out of that man's ass," she says. "Bobby's door is always open for his actors if you have a question or suggestion. That is such a blessing. I find that to be not the norm in television."Another thing that has scared Bibb is working at the fast pace TV demands. As an actor who says she is very demanding of herself in breaking down a script, Bibb has had to adjust her method. "I want to keep the integrity of my work ethic even if I have to turn it over so fast," she says. "The thing about television is, it's like you're running a marathon every day, and you're constantly in training. You're ready to run at any moment. You're always in motion. You're always conditioning yourself. That part is awesome."In the last seven years, she has enjoyed playing comedic characters in films such as "Zookeeper" and "Talladega Nights." "I remember saying to Will Ferrell, 'When I put on this wig and fake nails, it's like I can say whatever I want and nobody can get mad at me because I'm being Carley Bobby," she says. It has been a little nerve-wracking, however, for Bibb to play the straight person among the larger-than-life types enacted by "GCB" co-stars Kristin Chenoweth and Annie Potts. But Bibb understands that, in comedy, the straight man is just as important as the crazy character who gets the laugh. "In 'Arthur' you needed Liza Minnelli to sustain Dudley Moore, and in 'Wedding Crashers' you needed Owen Wilson in order to sustain Vince Vaughn," she says. "Maybe I don't have the wig and all of the craziness, but I'm adding to the comedy. With comedy and improv, our egos can start to overshoot what the scene is really about and what aids the script. You want that last laugh. You start to do all this shit that may be funny, but it's not serving the actual movie. Look at Drew Barrymore in 'The Wedding Singer.' She's so funny, but Adam Sandler comes off even funnier because of what she does. You can't worry about not getting the zinger. You are. You're just as important."Keeping Good Company Bibb had an interesting recent experience when her teacher, Maggie Flanigan, allowed her to audit a second-year class at Esper Studios. Flanigan said to her students, "Don't hang out with bad actors." Bibb laughed, then approached Flanigan after class and told her: "You know, I don't think I would have gotten it when I was in school, but you're right. I know it sounds silly and pompous, but you need to surround yourself with the real deals, the people who love the process. Same thing with movies, watching great performances, and going to see great theater: It's exciting, inspiring, and it keeps you in a creative light."OUTTAKES Has appeared in such films as "Law Abiding Citizen," "Iron Man," "Iron Man 2," "Confessions of a Shopaholic," and "The Skulls"Receives tweets from fans as far away as Croatia telling her that "Popular" was their favorite show. Recently, she realized how similar her character in "GCB" is to her character in "Popular": "I started talking about the character, and I was like, 'Holy shit, this is like Brooke McQueen!' If Brooke McQueen was from Dallas, it's like her growing up and having to deal with Mary Cherry and Nicole Julian." Leslie Bibb Feels Blessed to Star in ABC's 'GCB' By Jessica Gardner March 8, 2012 Leslie Bibb on "GCB" PHOTO CREDIT ABC Leslie Bibb, star of ABC's suburban satire "GCB," has Oprah Winfrey to thank for her first big break. In 1990, "The Oprah Winfrey Show" had a nationwide modeling contest. Bibb's mother sent in pictures of her 16-year-old daughter. She was chosen as the winner by Naomi Campbell, Linda Evangelista, Iman, and John Casablancas. Before the contest, while Bibb was growing up in Virginia, it never occurred to her to pursue a career in the arts. "It just didn't seem very realistic to me," she says. "I thought I would go to UVA, then law school, and then go into politics." When she went to NY that summer, after her junior year of high school, to pursue modeling work as a new client of the Elite Agency, the people and the industry there amazed her. She went back to Virginia for her senior year, spending about a week a month in NY. Then she started college at the University of Virginia but felt out of place. "Remember that saying on 'Sesame Street,' 'Which one of these things is not like the other?' she says. "Like you have circles, and then there would be a square? I felt like a square with all the circles. I didn't fit in. When I went to NY, I took a summer Meisner intensive at [William] Esper Studios. When I walked in, it was like, 'Oh. I found my tribe. For the first time in my life, I found who I'm supposed to be with.' I think actors are a tribe. Either you understand it or you don't. For me, it made sense. It just fit. I love acting, actors, talking about acting, watching movies, seeing plays. I just love it. It's one of my greatest joys."Bibb, who is probably best known for playing Carley Bobby in "Talladega Nights: The Ballad of Ricky Bobby" or the lead in the WB TV series "Popular," attributes part of her success to her training and work ethic. "If I get an audition, I do the same process that I do if I've booked the job," she says. "Sometimes financially it's difficult because I'm putting as much work into it even if I'm not getting the job. But I think it's important because when you finish school, your auditions become your scenes you've been allotted from your acting teacher."Bibb says sometimes she'll "steal" scene ideas from film and TV actors she admires. "Nobody's reinventing the wheel with stories; they're just told a little differently," she says. "I watch movies to inspire myself while I'm creating a character. And not just current movies. You need to have an arsenal." Then, because she studied Meisner, she breaks down her character's subtext, actions, and intentions. "I go back to the basics," she says.Scared in a Good Christian Way It terrifies Bibb how invested she is in "GCB" becoming a hit. She says she has loved it ever since her manager, John Carrabino, told her the original title"Good Christian Bitches." She plays Amanda Vaughn, a single mother who moves back to the affluent Dallas neighborhood where she grew up for a fresh start. "I need to stop wanting people to love [the show], because it leaves me very prone to being disappointed if people don't get it," she says. "I don't think I've ever felt this way about a TV show. I think with 'Popular,' I took everything for granted. Now I have a real appreciation for work and writing that is this good and this fun." Bibb says that working with creator Robert Harling ("Steel Magnolias") has been the most fulfilling part of her "GCB" experience so far. "I just think the sun shines out of that man's ass," she says. "Bobby's door is always open for his actors if you have a question or suggestion. That is such a blessing. I find that to be not the norm in television."Another thing that has scared Bibb is working at the fast pace TV demands. As an actor who says she is very demanding of herself in breaking down a script, Bibb has had to adjust her method. "I want to keep the integrity of my work ethic even if I have to turn it over so fast," she says. "The thing about television is, it's like you're running a marathon every day, and you're constantly in training. You're ready to run at any moment. You're always in motion. You're always conditioning yourself. That part is awesome."In the last seven years, she has enjoyed playing comedic characters in films such as "Zookeeper" and "Talladega Nights." "I remember saying to Will Ferrell, 'When I put on this wig and fake nails, it's like I can say whatever I want and nobody can get mad at me because I'm being Carley Bobby," she says. It has been a little nerve-wracking, however, for Bibb to play the straight person among the larger-than-life types enacted by "GCB" co-stars Kristin Chenoweth and Annie Potts. But Bibb understands that, in comedy, the straight man is just as important as the crazy character who gets the laugh. "In 'Arthur' you needed Liza Minnelli to sustain Dudley Moore, and in 'Wedding Crashers' you needed Owen Wilson in order to sustain Vince Vaughn," she says. "Maybe I don't have the wig and all of the craziness, but I'm adding to the comedy. With comedy and improv, our egos can start to overshoot what the scene is really about and what aids the script. You want that last laugh. You start to do all this shit that may be funny, but it's not serving the actual movie. Look at Drew Barrymore in 'The Wedding Singer.' She's so funny, but Adam Sandler comes off even funnier because of what she does. You can't worry about not getting the zinger. You are. You're just as important."Keeping Good Company Bibb had an interesting recent experience when her teacher, Maggie Flanigan, allowed her to audit a second-year class at Esper Studios. Flanigan said to her students, "Don't hang out with bad actors." Bibb laughed, then approached Flanigan after class and told her: "You know, I don't think I would have gotten it when I was in school, but you're right. I know it sounds silly and pompous, but you need to surround yourself with the real deals, the people who love the process. Same thing with movies, watching great performances, and going to see great theater: It's exciting, inspiring, and it keeps you in a creative light."OUTTAKES Has appeared in such films as "Law Abiding Citizen," "Iron Man," "Iron Man 2," "Confessions of a Shopaholic," and "The Skulls"Receives tweets from fans as far away as Croatia telling her that "Popular" was their favorite show. Recently, she realized how similar her character in "GCB" is to her character in "Popular": "I started talking about the character, and I was like, 'Holy shit, this is like Brooke McQueen!' If Brooke McQueen was from Dallas, it's like her growing up and having to deal with Mary Cherry and Nicole Julian."

'Star Wars' Concept Artist Ralph McQuarrie Has Died

According to Eric Geller from TheForce.net, there were three people who were largely responsible for the success of the original Star Wars trilogy: creator George Lucas, composer John Williams, and concept artist Ralph McQuarrie. McQuarrie, who passed away on Saturday at age 82, might not have been as well-known as Lucas and Williams. But if it werent for him, Star Wars might never have made it to the big screen. It was his artwork that helped convince 20th Century Fox to green-light the first film back in 1975. In a statement on StarWars.com, Lucas wrote: "Ralph McQuarrie was the first person I hired to help me envision Star Wars. His genial contribution, in the form of unequaled production paintings, propelled and inspired all of the cast and crew of the original Star Wars trilogy. When words could not convey my ideas, I could always point to one of Ralph's fabulous illustrations and say, 'Do it like this.' During his career, McQuarrie developed designs for films outside the Star Wars universe, including Close Encounters of the Third Kind, Raiders of the Lost Ark, and E.T. In 1986 he won an Oscar for Best Visual Effects, for Cocoon. But he will likely be remembered -- and revered -- most for his Star Wars creations. If you look at those original drawings, I think its really a testament to how important he was that theres such a connection between a lot of those iconic images and the movie scenes, says Geller. The way that he illustrated them was an influence on those characters, how they acted. For instance, in the renderings of R2-D2 and C-3PO, Geller says, you can almost see their camaraderie in some of these pictures. Take a look at several of McQuarries Star Wars illustrations, as well as George Lucass entire statement, here. In The Comlink, "Star Wars" fan and MTV News producer Tami Katzoff explores the glory days of a long time ago in a galaxy far, far away. Whether you're Team Jedi or Team Sith, friend of Wookiees or wanted by bounty hunters, any and all "Star Wars" fans are welcome along for the ride.

SAG Filing Motion to Dismiss Anti-Merger Suit on Friday

A flurry of legal filings is placed to start tomorrow within the suit that seeks to derail the SAG/AFTRA merger referendum. SAG will file a motion to dismiss the anti-merger forces will file a motion to amend their complaint to incorporate claims that enables these to seek lawyers costs as well as on Monday, the anti-merger forces will apply for an initial injunction preemptively negating the referendum.Ballots are going to be mailed Monday, and also the filings aren't likely to delay this method. Rather, the 3 motions is going to be contended in a hearing on March 26, just four days before ballots are due back. The hearing come in federal court before Judge James Otero.SAG has formerly blasted the suit as crazy and without merit. However, the allowable arguments on the motion to dismiss tend to be more strictly legalistic, since the idea isn't to knock the litigants as they are should there be any imaginable grounds for their claim.Not uncommonly, a motion to dismiss is going to be granted regarding some although not all claims within the complaint, effectively thinning the main focus from the situation.A resource near to SAG referred to the arguments the guild can make in the motion to dismiss:The plaintiffs' first claim could be that the unions aren't enabling a "significant election." In reaction, SAG will reason that the litigants are depending on situation law which has been repudiated within the Ninth Circuit, the court of appeals region which includes California and many other western states.SAG also declines the claim holds true. However, for that reasons of the motion to dismiss, a court is needed to visualize that details alleged within the complaint are true and so the question becomes whether there's any legal foundation for the claim even when all the accusations are assumed to be real.Otherwise, then your claim will get ignored. If all claims are ignored, then your suit is thrown unless of course the complaintant effectively appeals a number of of the baby dismissals.The plaintiffs' second claim could be that the merger referendum also stretches the word of a few of the existing SAG board people (out of the box even the situation for that AFTRA board people) with a year past when their terms would certainly expire. The litigants say this violates federal law regarding union elections.SAG counters that Department at work rules permit terms to extended for approximately 5 years regarding the a merger, far more than will really be here.The plaintiffs' third claim is the fact that Appendix I from the SAG metabolic rate takes a study that includes actuarial data concerning the impact merger may have around the union's pension and health plans, before calling the referendum. SAG highlights the language from the metabolic rate states that committee shall recommend research towards the board which the research do not need to include actuarial data. The board carried out a feasibility study, and SAG states this satisfies the metabolic rate.SAG also states that the so-known as Phase I agreement between SAG and AFTRA that is what's found in Appendix I is no more essentially. This argument might not figure conspicuously within the motion, however, due to the necessity that details alleged within the complaint are assumed to be real for reasons of hearing a motion to dismiss.The above mentioned claims they are under various parts of federal labor law, however the 4th which alleges the union violated its fiduciary duty to people is under condition law. SAG responds that there are no legal foundation for the claim, which the claim chills the union's freedom of speech by trying to dictate what it really should tell its people. For that latter reason, the union will even attack the claim while using California anti-SLAPP statute, which seeks to discourage legal cases from removing speech on few public interest. The Hollywood Reporter

Daisy Betts Cast in ABC's Final Option

Daisy Betts Daisy Betts remains cast in ABC's drama pilot Final Option, TVGuide.com has confirmed.Executive-produced by Shawn Ryan (Mislead Me), the series follows a U.S. nuclear submarine crew introduced by Capt. Marcus Chaplin, who defies orders to fire place nuclear missiles. Consequently, they produce a camping by having an island that's where you can a NATO listening station.Pilot Season: Andre Braugher lands lead in Shawn Ryan's Last ResortBetts, which has came out in Harry's Law and Persons Unknown, will join Andre Braugher inside the pilot. The actress may have Sophistication Shepard, the gutsy newbie for the submarine crew who's a family group friend of Chaplin (Braugher).

Harrison Ford Not In Foretells Star In 'Blade Runner'

Fans from the sci-fi classic "Edge Runner" might have become their hopes up over the past weekend after Twitch reported that Harrison Ford, the star from the original, is at early foretells return for director Ridley Scott's follow-up. Regrettably, Twitch's scoop did not pass the Voight-Kampff test. Deadline has become confirming that Alcon, the organization creating Scott's suggested return to everything about replicants, has completely refused any gossips surrounding discussions with Ford. Calling the rumor "patently false," Alcon co-mind Andrew Kosove reiterated what have been formerly mentioned concerning the film, stating "What Ridley does in 'Prometheus' is a great template for which were attempting to do. He produced something with a association towards the original Alien, but lives by itself like a stand alone movie." Alcon stands by their original intention to create the following "Edge Runner" movie like a "total reinvention" from the series, while keeping connections towards the original film. Most required this as an expression that Ford wouldn't return, and Kosove formerly stated just as much, explaining "By no means will i speak for Ridley Scott but when you are asking me will this movie have anything related to Harrison Ford, the reply is no." For whether Kosove thought Ford could, theoretically, return, he left it available to development. "Prior to understanding what would do, I supposed you can say yes, he could," Kosove stated. "But It is very unlikely." It's presently unclear when Scott will direct his go back to "Edge Runner." Recent reviews have called Cormac McCarthy's "The Counselor" like a likely next project. How does one feel if Harrison Ford didn't appear within the next "Edge Runner" film? Tell us within the comments below as well as on Twitter!

MacLaine to participate 'Downton Abbey'

Shirley MacLaine is joining the cast of worldwide TV phenom "Downton Abbey." She'll play a completely new character, Lady Grantham's mother Martha Levinson, inside the third season in the Julian Fellowes-scripted U.K. costume drama, which begins filming later. The casting underlines the impact "Downton Abbey," created by NBCUniversal-possessed Circus, is constantly make on sides in the Atlantic -- too as with TV areas around the globe. Circus controlling director Gareth Neame mentioned: "My late grandfather (Ronald Neame) directed Shirley MacLaine in 'Gambit' in 1966, therefore it is a delight personally they will probably be joining us on 'Downton Abbey.' Julian has written another brilliant character in Martha Levinson, who certainly are a great combatant for Maggie Smith's dowager countess, which we're excited in the options of Shirley MacLaine playing her.""Downton Abbey" plays on PBS Stateside and also on commercial broadcaster ITV inside the U.K.ITV director of drama Laura Mackie, who commissioned the show, mentioned, "It is so exciting by having an actress of Shirley MacLaine's stature joining our brilliant 'Downton Abbey' cast for series three together with a tribute for the show's success on sides in the Atlantic."MacLaine's deal was brokered by ICM. Contact the number newsroom at news@variety.com

Tribute: Lost in Space's Dick Tufeld

Lost in Space Robot Actor Dick Tufeld, who voiced the Robot on the 1960s sci-fi series Lost In Space, died January 22 at age 85 while watching the NFL playoffs. You may not know his name, but Tufeld created two of TV's most enduring pop culture catch phrases - "Danger, Will Robinson, danger" and "That does not compute." In 2004, TV Guide Magazine caught up with Tufeld, who was still doing voice-over work. He had recently recovered from a paralyzed vocal chord, which kept him from speaking above a whisper until a rare operation returned his familiar voice. TV Guide Magazine: It's nice to talk to the character that gave so many generations so much pleasure. Dick Tufeld: You know there was a guy inside the tin can - Bob May. He had to be there eight hours a day on the set and move the arms and legs and memorize all the lines and speak them. They put me into post-production and I dubbed his voice in. TV Guide Magazine: Did you know you were creating a legend? Tufeld: I had worked with Milton Berle, Julie Andrews and on various award shows, so I did not regard the voice of the Robot as very creative, distinguished work. I actually discovered that back in 1978, when I was a guest lecturer at Syracuse University for a class of about 300. The class sat there impassively when the professor said I had done the Grammy Awards, Emmy Awards, commercials, lots of prestigious things. The last thing he mentioned was "And he was the voice of the Robot in Lost in Space." They all stood up and applauded! That was when I became aware that the Robot had some special niche in people's television psyche. TV Guide Magazine: Lost In Space has been re-running for years. Tufeld: The show has been in syndication for 35 years, and it's running somewhere in the world as we speak. TV Guide Magazine: What was your favorite episode? Tufeld: "Something of the Species.' I fell in love with a lady robot who turned out to be evil and I had to zap her at the end. TV Guide Magazine: Ah, true love. How did you get the gig? Tufeld: I was the narrator on the show. The Robot was not in the pilot. When they decided to put him in, my agent told me that Irwin Allen (the show's producer) wanted to hear me do the voice. I walked in and said, "I assume you want a mechanical robot-ian kind of sound." He shook his head, "That's precisely what I don't want." I did it again and again and he finally said, "I'm not hearing what I want, I'll look elsewhere." I said, "May I try one more thing for you?" And in my best mechanical robot-ian kind of sound, I said "That does not compute." He said, "That's what I wanted! What the hell took you so long!" I had to turn my back, because I was hysterical. TV Guide Magazine: You've done very well by the Robot over the years. Tufeld: Oh sure. Guys who build robots want me to do the robot voice with personalized lines. There's no question when my time comes - that's what I'll be known for. The voice of the Robot on Lost in Space. Subscribe to TV Guide Magazine now!